The Souls of Black Folk Assignment

The Souls of Black Folk Assignment
The Souls of Black Folk Assignment
1. Th e rhetorical function of the fi rst sentence of the passage is to:
(A) provide the major claim
(B) establish the setting
(C) introduce the narrator
(D) present the point of view
(E) establish the tone
462. Th e fi rst paragraph contains all of the following rhetorical techniques
except:
(A) repetition
(B) asyndeton
(C) shift in pronoun
(D) imagery
(E) simile
463. Th e function of the sentence “Th ree things characterized this religion of
the slave,—the Preacher, the Music, and the Frenzy” is to:
(A) provide the structure of the rest of the passage
(B) clarify the occasion
(C) develop an objective tone
(D) characterize the audience
(E) appeal to logos
160 ❯ 500 AP English Language Questions to Know by Test Day
464. In order to characterize the Preacher in the sentence “A leader, a politician,
an orator, a ‘boss,’ an intriguer, an idealist,—all these he is,” the writer uses:
(A) anaphora
(B) epistrophe
(C) asyndeton
(D) polysyndeton
(E) hyperbole
465. In context, the word “plaintive” in line 33 most nearly means:
(A) rhyming
(B) amusing
(C) expressing remorse
(D) expressing joy
(E) expressing sorrow
466. Th e tone of the sentence “Th e Music of Negro religion is that plaintive
rhythmic melody, with its touching minor cadences, which, despite
caricature and defi lement, still remains the most original and beautiful
expression of human life and longing yet born on American soil,” can best
be described as:
(A) ambivalent
(B) bemused
(C) conciliatory
(D) laudatory
(E) ecstatic
467. Th e pronoun “it” in line 37 refers to:
(A) music of Negro religion
(B) expression
(C) American soil
(D) African forests
(E) soul-life of the slave
468. Th e structure of the passage starting with the second paragraph, just after
the introductory paragraph, moves:
(A) chronologically
(B) from specifi c to general
(C) from general to specifi c
(D) to the most important part of “Negro religion” (a climax)
(E) from the most important part of “Negro religion” to the least
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469. Th e sentence “It varied in expression from the silent rapt countenance or
the low murmur and moan to the mad abandon of physical fervor,—the
stamping, shrieking, and shouting, the rushing to and fro and wild waving
of arms, the weeping and laughing, the vision and the trance” uses the
following rhetorical device to mimic the frenzy of sounds:
(A) alliteration
(B) assonance
(C) onomatopoeia
(D) anaphora
(E) epistrophe
470. Th e tone of the passage as a whole can best be described as:
(A) impressed and slightly amused
(B) awed and slightly frightened
(C) indignant and slightly accusatory
(D) jovial and slightly lyrical
(E) fanciful and slightly whimsica
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